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Redefining Opera

REDEFINING OPERA

Brunellesco opera stands out as a revolutionary moment in the world of classical music, drawing parallels to the cultural phenomenon of “We Are the World” in popular music. This groundbreaking production will redefine the boundaries of opera, transforming it from an art form often perceived as exclusive and elitist into a truly global and inclusive moment. At its core, Brunellesco unites classical musicians from every corner of the globe, breaking down geographical and cultural barriers that have long divided the opera world.

What sets this opera apart is its commitment to inclusivity that extends far beyond its performers. In a bold departure from tradition, Brunellesco aims to make this art form accessible to audiences of all socioeconomic backgrounds. Through innovative strategies, a pay-it-forward model, free public performances, digital streaming options, and educational outreach programs, it ensures that people from all walks of life can experience and appreciate opera.

In essence, Brunellesco stands as a powerful testament to the transformative power of art. It demonstrates how a traditional art form can be reimagined to address contemporary issues, foster global unity, and celebrate the enduring human qualities of passion and perseverance. In doing so, it not only reinvents opera for the 21st century but also provides a model for how art can play a vital role in creating a more inclusive and compassionate world. The music incorporates elements from various church choir and global traditions, seamlessly blending them with classical operatic structures to create a truly international sound.

Importantly, Brunellesco opera aligns itself with Pope Francis’s vision of a more inclusive and accessible Catholic Church. Just as Pope Francis has positioned himself as the “People’s Pope,” this production emerges as the “People’s Opera,” embodying similar principles of outreach, accessibility, and social justice through music. This parallel reflects a broader societal shift towards inclusivity and democratization of traditionally elite institutions. Brunellesco is timeless. It inspires stewardship and cultural reconciliation, making the opera not just an artistic experience but a platform for social dialogue and awareness.

At its heart, Brunellesco is truly a celebration of human passion and perseverance. It showcases the dedication of artists to their craft, highlighting the countless hours of practice, the unwavering commitment to excellence, and the deep emotional connection that performers have with their art. This focus on passion resonates strongly in today’s world, where the pursuit of meaning and purpose in one’s work has become increasingly important.

Brunellesco was borne out of the creation of the world’s largest cupola in Florence. The Santa Maria del Fiore Duomo stands proudly for over five centuries. A love story between master architect Filippo Brunelleschi (during the Renaissance period) and his craft—translated into music by another maestro—Cardinal Domenico Bartolucci, who was the Maestro of the Sistine Chapel Choir for over forty years. In a world facing numerous challenges—from global pandemics to climate change—Brunellesco reminds us of the resilience of the human spirit and our capacity to triumph and create beauty even in challenging times.

By positioning itself as the “People’s Opera” and drawing parallels with Pope Francis’s inclusive approach, the Brunellesco opera is not just redefining opera—it is contributing to a larger conversation about the role of art and institutions in fostering a more equitable and connected global community. It challenges long-held notions about what opera can be and who it is for, paving the way for a more inclusive and vibrant future for classical music. Brunellesco opera may well become a catalyst for lasting change in the opera world and beyond, inspiring other artistic institutions to reconsider their approaches to creation, performance, and audience engagement.

BRUNELLESCO is an opera composed by Maestro Domenico Bartolucci, (7/5/1917-11/11/2013) Director of the Vatican Sistine Chapel Choir, musician for Popes and Saints for over forty years, Cardinal of the Catholic Church.

His life’s work was inspired by and dedicated to the creation of the Dome of Santa Maria del Fiore. It has stood for over five centuries — as the world’s largest cupola — and is Florence’s most iconic landmark.
The Opera

Domenico Bartolucci’s score reflects this emotional journey, with soaring melodies that capture the exhilaration of creative breakthroughs and haunting passages that evoke the despair of setbacks and self-doubt. The music becomes a manifestation of Brunelleschi’s inner world, revealing the depth of his passion and the intensity of his struggles. As the story unfolds, it becomes clear that Brunelleschi’s true love is not a person, but an idea – the vision of a dome that will redefine the limits of architectural possibility. His devotion to this vision drives him to make immense personal sacrifices, pouring his heart and soul into the realization of his dream.

In the final act, as the dome nears completion, the opera reaches its emotional climax. Brunelleschi’s love for his creation is reflected in the awe-inspiring beauty of the finished structure, a testament to the power of human perseverance and the enduring legacy of a master craftsman. Through this unconventional love story, the opera celebrates the triumph of the human spirit and the transformative power of art.

It reminds us that the greatest love stories are not always those between two people, but those between an individual and their life’s work

– a love that has the power to shape history and inspire generations.

ARIA BRUNELLESCO
ATTO I (I Quadro)


Brunellesco: Io ti sognai, ti accarezzai per anni,
colla passione d’ogni primo amor
e giovanile ardor!
Ti architettai, ti compassai,
qui presso il campanile,
dove i marmi fioriron
come i fiori d’aprile,
al ciel ti dissi:
tu, tu ti drizzerai
sulla chiesa d’Arnolfo
sulle fughe degli archi
sulle volte rampanti …
alto … ancora più in alto!
Sopra un giro che varia
di finestre rotanti,
te sognavo nell’aria
come un carro di santi.
E su slanciati al ciel
forti e potenti bianchi costoloni,
saran braccia di giganti che s’abbracciano!
The Cast The Production The Venue
Fondazione Cardinale Domenico Bartolucci in collaboration with Maggio Musicale Fiorentino WHICH SHOWCASES THE ANNUAL ITALIAN ARTS FESTIVAL WITH DIRECTOR Zubin Mehta BRUNELLESCO WILL TAKE PLACE AT THE Teatro del Maggio Musicale Fiorentino
The Team & Sponsors
With Special Thanks & Consideration
  • The Patronage of the Vatican
  • The Archdiocese of Florence
  • The Italian Ministry of Culture and the Italian Embassy to the Holy See
  • Alessandro Biciocchi, Secretary General Cardinal Bartolucci Foundation
  • Serry Osmeña, Opera Delegate & Advisor
  • Kyle Ballarta, Advisor